Chubbuck: memória emotiva, impulsos e ações interiores no processo de criação da personagem.

Abstract

This research aims to investigate emotional memory, impulses and internal actions in the Chubbuck methodology as fundamental components of the poetics through which the actor creates his characters. The study makes a bibliographical review of the masters of Ivana Chubbuck and other masters who had the study of the Stanislavski System as a basis to investigate how the creator of the method sought answers to help contemporary actors in their character composition processes. Stanislavski, Stela Adler, Meisner, Uta Hagen, Lee Strasberg, Boleslavski, among others, are revisited with the aim of deepening the study of the work of composing personas on stage and drawing parallels with the method developed by Ivana. Furthermore, the study approaches the practical application of the methodology, offering actors and teachers a possible path to study. The intention is to report the composition of a work through pedagogy for the contemporary actor, the details of practical work carried out with actors from the UFBA theatrical interpretation course. This practice can help contribute to actors and teachers who wish to replicate, teach, apply the technique in their work or reinvent this methodology that is so relevant today.